about
Tall Poppy String Band is a new Old Time trio featuring fiddler George Jackson, guitarist Morgan Harris, and banjoist Cameron DeWhitt. Drawing from the deep well of American string band music, Tall Poppy String Band approaches tradition with playful curiosity; each performance more a discussion than a statement. Whether they’re chasing the elusive downbeat of a source recording, playing with the pronouns in a bluegrass standard, or challenging the assumed roles of their instruments, Tall Poppy String Band endeavours to prove that tradition is still being written.
Cameron DeWhitt is a clawhammer banjoist based in Portland, Oregon, named by R.D. Eno of Banjo Newsletter as being “…among the finest clawhammer banjo players alive.” They are the creator and host of Get Up in the Cool, a weekly old time music and interview podcast featuring conversations and musical collaborations with some of the most influential traditional musicians working today. Cameron also produces PitchforkBanjo.com, an online instructional video series for clawhammer banjo, and teaches private lessons.
George Jackson is a New Zealand-born fiddle player based in Nashville, Tennessee. He is known for Time and Place, his acclaimed 2019 album of original old time fiddle tunes (from which sprang the old time viral hit “Dorrigo”) and now Hair and Hide, his new collection of fiddle/banjo duets with some of the brightest stars of the banjo world. George has toured both as a band leader and with such artists as Jake Blount, Front Country, Peter Rowan, Missy Raines, and many more. He is the three-time winner of the Australian National Bluegrass Championship on fiddle, and the recipient of the 2019 Mike Auldridge composition award from the DC Bluegrass Union.
Morgan Harris is a guitarist based in Portland, Oregon. Originally from Australia, she has made a name for herself by rethinking the role of the guitar in old time music, developing a style of melodic playing that recreates the droning, driving sound characteristic of old time fiddle and banjo. Morgan's solo record Alone Will Tell showcases this groundbreaking approach, drawing on historic source recordings of driving fiddle breakdowns, hypnotic banjo pieces and austere mountain ballads. Her playing has been featured on The Bluegrass Situation and Acoustic Guitar Magazine.